Performing Arts In The Classroom:
“Writing is a performance, like singing an aria or
dancing a jig”
-Stephen
Greenblatt
I’ve
been thinking a lot about the healing power of writing. I realized that I
constantly make the excuse that my school works takes up so much of my time
that I have none for creative writing. I spend money on books full of prompts,
story cube dice, and picture cards and have spent time perusing the internet for
free prompts with the intension of waking up each morning and writing non-stop
for thirty minutes. But I never do. Instead opting instead to stay up late and “de-bunny”
the long work or school day by watching TV and then sleeping in to prevent a
sleep hangover.
However,
each week in our class, we have no excuse. We are given a prompt and we get an
opportunity to write about what’s going on in our lives in relation to the
framework given to us. I look forward to this because it’s pure therapy. Not
only do I approach it with fear and come out with something I am often
surprized and proud of but I feel as though the light bulb has been lit and some
emotional purging has taken place. My shoulders always feel less heavy after
class, after I’ve been able to search my soul and write it down.
I
know that writing heals not only because of how it makes me feel but also
because I talk about my experiences in class with all of my friends and
co-workers. I received a text message the other day from my friend Karen that
contained one of the greatest compliments I’ve ever received that said this; “Today
was the first time I wanted to write my thoughts down in a journal. This comes
from you. It was a day things came together and I want to make a record of it.
I am happy. Thank you.” I often talk about my classes and what I am learning in
them but what made my encouraging writing stick with Karen? I believe this is
because of my delivery. When I speak passionately about something, it’s a
performance, an authentic one where I am playing me, but a performance all the
same. This is because my words come alive in my soul firing me up to give
speeches of advocacy.
The Significance Of Art: http://www.youtube.com/watch?v=-aaSCptnSIE
I
learned to be a passionate speaker through the art classes I took in growing up
and later in high school. Dance, Theatre and Music showed me how words can have
movement. How they can breathe life into the world and into beings. I was a shy
teen because I was told that being different made me weird and so when I
started to grow into my own I thought the best way to survive was to become a
wallflower. The arts were always there to look forward too and it was through
them where I saw that the imagination I had that made me different was what
created art and writing that I was most proud of. My performances and writing were
where I could truly to be me and I was always moved by what I was creating. The
arts and creative writing guided me away from the wall and showed me what it
felt like to be myself. It still does that for me to this day.
I
learned differently than other students. I needed a hands on, options given,
creative way to do projects. I needed to express myself. I could only show that
I understand something through creations. I always did better on an essay
question, a monologue or a collage poster that I did on multiple choice or
true/false questions. There are many other students out there that are the same
way. The education system was changing as I was departing its confining halls
so I was able to escape relatively well-rounded but students of today aren’t as
lucky.
Educational
theorist too have noted that the system has tended to focus on only the logical
and language facets of learning leaving other ways of learning, ways that can
reach students like me, off their chart on how to grade intelligence. “Each
schema the child holds is actually the sum total of all the impressions,
associations, experiences and emotions that that child has about the topic.
Therefore any visualization or imaging activity that a teacher guides children
through will necessarily result in a wide variety of images about any topic
because the responses totally depend upon the schema of each individual child
and just how fully each child’s schema has been activated or brought to the conscious
mind but the stimulus” (Cecil, 38)
“Howard Gardner has made it that much harder
for segregationists of education to support their logic of banishment when a
child struggles in a rigid curriculum by discovering seven patterns for solving
problems and fashioning products, also known as learning.” He starts with the
two that traditional schools use; logical-mathematical thinking and linguistic
capacities. But his last five which deal with culturally valued ways of knowing
and acting in the world are banished from the curriculum.”
“These
included spatial-representation intelligence (representing time, space, objects
and spirit through symbols, drawings and other media), musical-intelligence
(communication through song and rhythm), kinaesthetic intelligence
(communication through one’s body to solve problems and make things,
interpersonal intelligence (understanding the communication of others) and
intrapersonal intelligence (understanding of one’s self so that choices can be
made and they can act on those choices) (Kweiler, pg. 81). So in other words,
when we are able to look at students from this much wider range of intelligence
capacities, we increase the rubric for what makes a student smart while showing
them that we understand the way they feel most comfortable communicating and
showing us what they know.
Another
problem is how separated all of the school subjects are from one another when
in reality, we rely on all of them working together every day. “The school day
is fragmented (you go to separate spaces reserved for science, math, etc.) but
the arts provide an opportunity for students to come together and connect the
various strands of their learning. This happened not only among the various
strands of their learning but also across all subjects. The school musical, for
example, obviously brings together learning and students in the visual arts for
set design, musical training for vocal and band performance and theatre mavens
contributing dramatic expertise. But students doing tech theatre are putting to
use physics and mathematical concepts and acumen, just as theatre students are
using the analytic skills they’ve acquired in their humanities and history classes
to make sense of the script” (Davis, 92).
In
the Common Core Standards emphasis on writing across all disciplines and for
real purpose in order “to build a foundation for college and career readiness,
students need to learn to use writing as a way of offering and supporting opinions,
demonstrating understanding of the subjects they are studying, and conveying
real and imagined experiences and events. They learn to appreciate that a key
purpose of writing is to communicate clearly to an external, sometimes
unfamiliar audience, and they begin to adapt the form and content of their
writing to accomplish a particular task and purpose” (Calkins, 110).
“The arts provide a nexus for a range of
disciplinary understandings. A musical composition, like a play, demonstrates
psychological considerations in its expressive potential, historical considerations
such as relevant styles and events, mathematical considerations in the
relationship between notes and stanzas and narrative elements in the unfolding
of the story it tells” (Davis, 93). In fact, narrative writing, along with persuasive/opinion/argument
and informational/functional/procedural writing make up the three types of
writing in the Common Core Standards.
Narrative
writing can often become creative writing because it contains a part of you,
the writer, in it no matter how small. We are talking about personal
narratives, fiction, historical fiction, fantasy, narrative memoir, biography
or narrative non-fiction (Calkins, 104). Often this kind of writing becomes
plays or one-man/woman shows. The personal messages that are written out
sometimes turn into pieces that need to be performed.
Narrative
writing also lends its hands to the other two forms of writing; “narratives are
important not only because they are, as Barbara Hardy says, the primary mode of
knowing but also because they are an essential component in almost every other
kind of writing. Listen to TED talks which are models of persuasive and
informative speaking and you will find that mostly, those speeches are mosaics
of stories. Read a terrific informational text and you’ll find that you are
reading stories” (Calkins, 113).
When
reading stories, emotions are brought to the surface as you journey along with
the hero. The same experience can be had with music. When listening, students
can “begin to write their reactions in a different way, using a vehicle of the
contrast frame. This device provides a literary scaffold or temporary structure
for the children to use so that they may begin to record their observations in
an expository mode. While such a device is useful in helping all students to
organize their ideas, it is especially helpful for those for whom English is a
second language” (Cecil, 133).
The
performing arts matter in the classroom because it helps to unify all of the
other subjects. It matters because it shows students how to connect and
understand the world they live in. It matters because it teaches students compassion
and empathy for one another. It matters because it instils self-expression and confidence.
It matters because it can be used as a way to reach students who can show us
what they know by being creative instead of by choosing a, b, c or d with a
number two pencil. It matters because it moves, literally, our body, heart and
mind.
Through
the arts, students can learn to see with fresh eyes the world around them and
how to forge their way through it. Through creations, students are able to
harness the power of their imagination and agency. Imagination teaches them how
to answer the “what if” questions of life. Agency shows them to see that they
matter as they put that imagination into motion. Through emotion expression teaches
students to recognize and talk about how they feel and in turn empathy in order
to understand how others feel. Through interpretation students can show what
they think matters. They can show respect for what others think matters as
well.
In
the act of creating, a process must take place. This process includes inquiry
as the students question the right and wrong of the informational text they are
given as well as the motivation for why the character does what they do.
Inquiry leads to personal reflection on how the student’s approach to the
material is working and what else they need to do. Once they have all this down
they can then perform for an audience showing that they care through engagement
and responsibility by showing up and doing the best they can do.
The
performing arts matters because it allows the student to learn, think, explore,
feel and express others and their own stories out into the community. This allows
for voices to breathe life into the air and rise up, encouraging others to stand
up for individuality. As one student has said “arts are most the important
thing if not because they are so wonderful and rich but because they impact
everything” (Davis, 93). Imagine what kind of world we could live in with the
ability to impact for the better?
"Why the Arts?" Art Education Advertisement:
Works
Cited:
Calkins,
Lucy, Mary Ehrenworth, and Christopher Lehman. Pathways to the Common Core:
Accelerating Achievement. Portsmouth, NH: Heinemann, 2012. Print.
Cecil, Nancy Lee., and Phyllis Lauritzen. Literacy and
the Arts for the Integrated Classroom: Alternative Ways of Knowing. New
York: Longman, 1994. Print.
Davis,
Jessica Hoffmann. Why Our High Schools Need the Arts. New York: Teachers
College, 2012. Print.
Kohl,
Herbert R., and Tom Oppenheim. The Muses Go to School: Inspiring Stories
about the Importance of Arts in Education. New York: New, 2012. Print.
Picture
Links:
http://gallery.mailchimp.com/101affe9c06def3cd53027c8e/images/YoungArts_matters_new_header_July.jpg
http://brightsidenewsblog.files.wordpress.com/2013/01/whats_the_story_logo.jpg
http://www.current.org/wp-content/uploads/2013/10/matter-1320-team-shot-420x280.jpeg
Jocelyn,
ReplyDeleteThis memo is excellent. You have a lot of things bobbing around in your head right now and I will do my best to address them all.
One thing that really stood out to me was your reflecting back on the Gardner’s Multiple Intelligences. When I was young, I had a teacher who actually gave us Gardner’s test to see which was we learned best. The very notion of such a thing existing made me feel much more accepted in my eyes on how I learned. It made sense to me that everyone has a slightly better way that they learn better, and even though I am one who can learn better by the classical classroom conventions of lecturing, note taking, and discussing, I felt bad for students who couldn’t because I didn’t know of many teachers who taught differently. It was usually these students who came alive in other classes such as music and art, classes I was ok in but had my struggles. The fact that you are touching upon this makes complete sense for your paper. Its also something empowering for students. Telling students about this theory can be reassuring to them when they are in classroom. It almost gives them permission to think thoughts like, “I’m not stupid, I just learn differently.”
Another point you touch on that hit me was how schools are so fragmented. This makes me think back to what Dr. Cook said about how students in vocational schools do better in their core studies because they have to in order to do the things they really want. Students who are striving towards a common goal feel more connected because they share the same passion. But one thing that also helps is staying in contact. I’m not sure how you could incorporate this but our class blog is an excellent example of how powerful communication can be. I think our class is pretty comfortable with each other and it’s not really a chore to give each other feedback and be engaged in what we are all doing.
Having art class blogs, or music class blogs, or any kind of safe place where students can share their work or their ideas or just collaborate together could be very beneficial to students. Can you imagine a future classroom where ceramics students keep online blog logs of their project status with pictures and reflections on what they are doing how they are doing it etc. and having other students writing back and forth giving feedback, bouncing around ideas and over all being inspired? That’s incorporating writing, making students feel connected, and having students reflect and grow. As you pointed out, the Common Core is big on writing to prepare students for college, this is a way for students to connect and comment on real work happening in real time. Just this semester in my fiction creative writing workshop class I’ve noticed that people really have difficulties expressing their opinions about other people’s work. They have a hard time finding a balance between criticizing and technically pointing out what is and isn’t working without sounding (for a lack of better word) bitchy. Exposing students to this kind of task early on would avoid this problem and incorporate technology.
Honestly, there are parts in this memo that I could see in your actual I Search paper. The whole piece about why the arts matter is beautifully written. Copy and paste at least some of that. You’re an excellent writer!
Jocelyn,
ReplyDeleteThe part of this excellent memo that I attached to is the paragraph where you highlight the power of narrative and why/how narrative is, probably, the most relevant genre of writing for our students. YES, YES, YES!
But, here's the rub. The Common Core reduces the emphasis ELA teachers place on narrative and instead places greater focus on informational writing, argument writing, and analysis of literature.
There has been MUCH outrage, dissent, protest, defiance of the Common Core because of it's lack of emphasis on narrative. Most informed teachers agree with you, Jocelyn, that narrative is the backbone of human writing: everything we know is based in story and storytelling. Why would we think otherwise? Our holy books are collections of stories not instructional manuals. Our family history is passed down to us through story. Our greatest conflicts and triumphs in life are remembered through story. Our relationships are all based in stories, and our life passes us each day as a continuous narrative of mini-stories and poems and snippets of story. So, why would we de-emphasize storytelling and story writing in schools? (HINT: because stories are not what your boss at Fidelity wants you to be writing in your important memo about falling commodities prices....what do we really mean by College and Career ready???!!!)
Another idea related to this one: Tom Newkirk, author of "Looking for Trouble" (the article I asked you to read after our poetry activity with Seamus Heaney's poem), is coming to our campus in March for the RIWP's spring conference. His talk will be about THIS VERY TOPIC!!! It's called "Minds Made for Stories." Check out the blurb and see the connections. Lots of smart and experienced peeps in the field of Composition are speaking out in FAVOR Of narrative.
http://www.ric.edu/riwp/programs_springconference.php
Also, the theme of next year's NCTE Convention in Washington, DC is "Story as the Landscape of Knowing." YOU ARE ON TO SOMETHING, JOCELYN!
http://www.ncte.org/annual/call
Thank you for your excellent, impressive work on this project. I have learned from you!